Create ONE realistic product visualization of the exact CHARMVILLA embroidered lid design in reference 1. Reference 1 is the completed flat artwork and is authoritative: reproduce its exact flower count, side/back-facing angles, S/arc/zigzag stem shape, leaf overlaps, palette, embroidery and brand logo with NO redesign. Reference 2 shows the genuine pale wood CHARMVILLA box construction; replace its old butterfly art entirely with reference 1. Reference 3 is the official brand SAMPLE. Use a closed almost-square box, lid WIDTH 20 cm by DEPTH 18.5 cm, visualized height about 4.5 cm. Slender pale natural wooden rim, inset flush woven silk/linen embroidered cloth, finely raised thread following petal direction. Accurate CHARMVILLA wordmark. Single box, entire lid visible, elevated three-quarter camera about 65 degrees above tabletop with front and right wood edges visible, centered and filling 74 percent of the image width, calibrated neutral light from upper left, warm off-white seamless studio surface, soft grounded shadow. Consistent camera and scale for comparing design options. No ribbon, extra flowers, teacup, hands, duplicate box, collage, labels, dimensions, logos outside the lid, or watermark. Do not make the old elongated box; keep the near-square 20:18.5 lid. Design context only, subordinate to the exact first-reference image: Ivory silk-linen with moss-jade foliage, selected design 12 as palette and fine gold line reference. Use a distinctive, natural loose ZIGZAG orchid stem instead of a straight cascade or a smooth crescent. Starting lower right, stem bends to (66%,67%), then (88%,43%), then (66%,22%) and ends with buds at (86%,12%). FOUR blossoms sit on short curved pedicels at these direction changes: lowest is a large right-facing three-quarter bloom, next a smaller left-facing side profile, next a medium oblique back view, top a small bloom facing outward and slightly upward. No hard geometric corners: the zigzag consists of supple rounded elbows in the stem. Two thin champagne-gold stitched vertical segments and one short horizontal corner evoke the former window; leaf tips cross them so the plant feels free of the frame. The lower long leaves reverse direction once, one passing behind the stem and one crossing in front. The rhythm must alternate left/right in visibly irregular spacing.